As gajas boas vão p'ró céu...
— Sim porque Deus gosta de gajas boas
imagem: Ellen von Unwerth
Mostrar mensagens com a etiqueta * As gajas do Pinto. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta * As gajas do Pinto. Mostrar todas as mensagens
4.6.14
as gajas boas
As gajas boas vão p'ró céu...
— Sim porque Deus gosta de gajas boas
imagem: Ellen von Unwerth
25.5.14
18.5.14
20.6.12
13.6.12
Geisha's day off [old habit]
From a ca. late-1880s-90s series of studio album views depicting the private moments of real Geisha Girls during the warm days of summer. These are the original "Penny Postcard" versions from 1905-15, reproduced in this format to take advantage of the world-wide hand-tinting postcard boom.
15.5.12
As Geisha Girls do Pinto
These photographs are not so common, but when found is usually seen as either a Meiji-era albumen print or later postcard image. However, here is a richly-done "Salt Print" version from 110 to 120 years ago - a rare series of ca.1880s-90s full-plate images printed by sunlight on simple "salted paper", and hand-tinted with transparent water colors
12.5.12
as geishas do Pinto
Italian/English 1832–1909, worked throughout Europe and Asia 1853–90
Stillfried and Anderson and the Japan Photographic Association (studio)
Japanese 1877–85
No title (Maiko)
1866–68, printed 1877–85
albumen silver photograph, coloured dyes
24.4 x 19.6 cm
National Gallery of Victoria, Melbourne
Art Blart
20.4.12
Brooke Shields by Gary Gross
A história começa em 1975, e está contada aqui:
e
o resto não me interessa.
16.4.12
Ofelia
Japan: Daily Life of a Modern Geisha
—
These are the memoirs of the geisha of the XXI century, those who also prayed to the gods to become “those who dominated all the arts” because that means their name. They have a difficult learning ahead to become a geisha. Still retain their strict traditions but their way of relating to the global world has changed considerably. We have been with them in the okiya where they live, during the music lessons at “their university”, we have entered the forbidden world of its customers in the teahouses. They have confessed us their dreams and their intimate secrets
—
These are the memoirs of the geisha of the XXI century, those who also prayed to the gods to become “those who dominated all the arts” because that means their name. They have a difficult learning ahead to become a geisha. Still retain their strict traditions but their way of relating to the global world has changed considerably. We have been with them in the okiya where they live, during the music lessons at “their university”, we have entered the forbidden world of its customers in the teahouses. They have confessed us their dreams and their intimate secrets
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