O medo da morte vêm do medo de não se ter vivido,um homem que vive intensamente
estará preparado para morrer a qualquer instante.
O meu tio morreu ontem
paz á sua alma
27.11.10
in memoriam
O medo da morte vêm do medo de não se ter vivido,um homem que vive intensamente
estará preparado para morrer a qualquer instante.
O meu tio morreu ontem
paz á sua alma
Photographic Lighting Equipment
Photographic Lighting Equipment: A Comprehensive Guide for Digital PhotographersAmherst Media, Inc. | 2010-03-26 | ISBN: 1584289937 1584285397 | 128 pages | PDF | 6 MB
From flashlights and top-of-the-line studio electronic flashes to light stands and battery/inverter packs, this all-encompassing survey evaluates the vast array of lighting and equipment options available to professional photographers. Beginning with a basic history of the role of lighting equipment and the interplay between advances in capture and lighting technologies, the emphasis then shifts to advances made within the past five years that have enabled photographers to consider more low-powered and cost effective options than ever before. In addition to identifying the wide range of gear currently on the marketas well as those photographers may devise on their ownthis reference examines the pros and cons of the various technologies and provides suggestions for their most practical use. Photographs of the equipment surveyed as well as real-life images created with the different pieces of equipment are interspersed throughout the text. Other helpful hints include tips for maximizing versatility, investment in each piece of equipment, and a Top-Ten Must-Have List.”
Photographic Lighting
Light: Science and Magic: An Introduction to Photographic LightingPublisher: Focal Press 2007; 3rd edition | ISBN: 0240808193 | 47 MB
PDF | English | 320 pagesNumerous photographs and illustrations provide clear examples of the theories, while sidebars highlight special lighting questions. Expanded chapters on available light in portraiture, as well as new information on digital equipment and terminology make this a must have update!
*New four color art package with contemporary lighting examples
*Based on the behaviour of light
*Theory book for serious photographers
download links21.11.10
Le plaisir fugace
- Lisa Fonssagrives photo by Irving Penn
- Model photo by Tom Palumbo
- Dora Maar, 1940 photo by Izis Bidermanas
- Marlene Dietrich photo by Helmut Newton
Every Picture Tells a Story
Brothers© deskounlmtd - Brothers, 21 years age difference.
coal miner's holiday© Thomas Andrijauskas
Old POPEYE The Sailor Man© Ario Wibisono
old balinese smoker© nickodarwis - this is portrait old balinese lady, when enjoy the living.
SMOKING KILL© olteanu calin - From brasov, Romania
Lina© Beppe Ranieri
A tribute to my favorite model: my mother. She has 81 years old.
In reality has never smoked in his life, but has been paid to make me happy.
We enjoyed very much. ...
Every Picture Tells a Story © Sandy Powers
Lady Lisa. I saw her and had to photograph her so I got up my nerve and went and asked to take her photo. She was delighted, and talked to me for a long time about how she used to be a model. I showed her the picture and she really liked it ! - Sandy Powers
La cierva blanca
J. L. Borges in Central Park, N.Y.C., 1969Photography by Diane Arbus
¿De qué agreste balada de la verde Inglaterra,
de qué lámina persa, de qué región arcana
de las noches y días que nuestro ayer encierra,
vino la cierva blanca que soñé esta mañana?
Duraría un segundo. La vi cruzar el prado
y perderse en el oro de una tarde ilusoria,
leve criatura hecha de un poco de memoria
y de un poco de olvido, cierva de un solo lado.
Los númenes que rigen este curioso mundo
me dejaron soñarte pero no ser tu dueño;
tal vez en un recodo del porvenir profundo
te encontraré de nuevo, cierva blanca de un sueño.
Yo también soy un sueño fugitivo que dura
unos días más que el sueño del prado y la blancura.
Jorge Luis Borges
El único desnudo de Adolph de Meyer
Mistério e beleza. [Dance Study], ca. 1912, foi o único nu do fotógrafo de moda Adolph de Meyer (1868-1949).
Fonte: The Metropolitan Museum of Art
—Your place or mine? ... —Surprise me.
Fred MacMurray e Kim NovakKim Novak: Levas-me a casa?
Fred MacMurray: De acordo.
(pausa)
Fred MacMurray: A tua casa ou à minha?
Kim Novak: Surpreende-me.
(Título original: Pushover - A casa numero 322, de Richard Quine, 1954. Guião de Roy Huggins e Bill. S. Ballinger)
Um homem com uma dor
Obra de Paulo ItoUM HOMEM COM UMA DOR
um homem com uma dor
é muito mais elegante
caminha assim de lado
como se chegasse atrasado
andasse mais adiante
carrega o peso da dor
como se portasse medalhas
uma coroa um milhão de dólares
ou coisa que os valha
ópios édens analgésicos
não me toquem nessa dor
ela é tudo que me sobra
sofrer, vai ser minha última obra
Paulo Leminski (1944-1989)
Smoking kills, so start today
Photo: Helmut Newton - Catherine Deneuve
Photo: Giuliano Bekor - Model
Photo: unknown - Jean Moral, Femme a la cigarette, 1930
Photo: Helmut Newton - (his wife of 55 years – June Brown)
Photo: Brassai - “Bijou” of the Montmartre cabarets 1933
Photo: Richard Avedon - Marlene Dietrich
Photo: unknown - Lauren Bacall
Photo: Helmut Newton - Sigourney Weaver
Photo: Giuliano Bekor - Model
Photo: unknown - Jean Moral, Femme a la cigarette, 1930
Photo: Helmut Newton - (his wife of 55 years – June Brown)
Photo: Brassai - “Bijou” of the Montmartre cabarets 1933
Photo: Richard Avedon - Marlene Dietrich
Photo: unknown - Lauren Bacall
Photo: Helmut Newton - Sigourney Weaver
A arte de viver afinal é simplesmente a arte de conviver
Quando alguém pergunta a um autor o que este quis dizer, é porque um dos dois é burro.
Mário Quintana
The Encyclopedia of Addictive Drugs
Publisher: Greenwood Press | ISBN: 0313318077 | edition 2002 | PDF | 504 pagesCovers detail information of almost all addictive drugs
Rapidshare
Pass: www.dl4all.com
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18.11.10
Teach Yourself VISUALLY Astronomy
From dramatic lunar eclipses to brilliant comets, the night sky fascinates people. Brimming with beautiful color photos, this book walks you through everything you need to know to maximize your enjoyment of astronomy, from choosing a telescope to identifying constellations and planets. Whether you're a student, hobbyist, or lifelong stargazer, you can turn to this book for practical guidance on observing stars, planets, moons, and galaxies; tracking meteors, comets, and eclipses; choosing tools for viewing; and photographing the skies. Helpful star maps, charts, and timetables bring the sky to life!
Richard Talcott
ISBN: 0470343826
The 100 Best Targets for Astrophotography (2009)
PDF | 363 pages | 16.3 MBIn this century, the growth in quality and accessibility of amateur telescopes has driven an explosion of observing lists. The Herschel 400 list, compiled more than 30 years ago by the Ancient City Astronomy Club of Florida, includes objects selected from Herschel’s General Catalog that would “challenge” observers with telescopes 6 in. or larger. In 1995, Patrick Moore published the Caldwell list (his legal last name is Caldwell-Moore) of 109 objects, which includes both bright and dim objects excluded by Messier. His selection includes some small and challenging targets, not just the crowd pleasers. Most recently, in 2007, Stephen O’Meara published a list of 109 “hidden treasures” that seeks to fill in the gap left by the Messier and Caldwell lists. Like the Caldwell list, O’Meara’s list dips deep into the southern hemisphere.
These famous lists are excellent for visual astronomy but can be disappointing for the astrophotographer. For example, a sparse open star cluster sparkles at the eyepiece but can be uninspiring as an image. A small planetary nebula may be striking visually but may be too small to show interesting detail in a photograph. On the other hand, many nebulae that are faint to the eye can have striking texture and hue on long exposures. Spiral galaxies blossom into a rich diversity of shapes and colors.
14.11.10
o saboroso oficio do doce olhar
Vale mais a pena ver uma coisa sempre pela primeira vez que conhecê-la.
Porque conhecer é como nunca ter visto pela primeira vez,
E nunca ter visto pela primeira vez é só ter ouvido contar.
Alberto Caeiro - de quem Fernando Pessoa considerava seu mestre.
